Monthly Archives: March 2012

Heroic Temporal Authority: What Do You Know About Space, Old Man?

Once again, I’m going to use an incident as a jumping-off point for a more general thematic discussion, largely ignoring the issue itself. This time, it’s about authority, technology, and situated knowledge. And SPACE!

There was a story broadcast by a newsmagazine program about a week ago (might have been 20/20) about the advent and current ramping up of privatized space exploration. A man in charge of a large corporation that develops spacecraft was the primary interviewee, but I would like to discuss a small segment within the larger story. At one point, the interviewer brought up the fact that an Apollo astronaut (we’re going to go with Neil Armstrong because I’m pretty sure it was him, although I wasn’t taking notes at the time) testified in front of Congress against privatized space travel. He stated that no one but the government (NASA) had the technology or training to safely venture into space. Period. The interviewee was very sad that one of his heroes had spoken out against his dream.

Let’s unpack a bit before we blast off. Not that we’re going to blast off, because we’re not NASA and unpacking is the journey/focus here and deal with it. I’m not going to get into the private vs. public -ness of space travel at all. Rather, what I want to discuss revolves around issues of rhetorical authority–who has the authority to speak and about what subjects–historically situated knowledge, and hero-worship. These are all intertwined within this case and exemplify larger patterns in American culture.

1. Neil Armstrong is arguably held up as a national hero. He not only flew into space on a rocket, he walked on the moon! Our culture has remembered him as an icon of our incessant urge to conquer things. A living symbol of the American spirit. Someone who has inspired many a six-year-old to declare that someday, they are going to grow up to be an astronaut. This hero status affords people it is bestowed upon a certain measure of authority: we tend to listen to what they say. Even if they might not know what they are talking about…

2. Knowledge is situated. You know what you know because of your position in society (think occupation or whatnot) and in time (someone in 1670 wouldn’t know how to work my computer, and I don’t know how to work a plow). As I listened to the excerpt of Armstrong’s testimony, I blurted out “but what does he know now?!!” Armstrong was an astronaut in the 60s. Fifty years ago. As I’ve discussed before, as technology changes it tends to pass most people by. Unless the good astronaut has kept abreast of all the technological developments over the years, he has no way of actually knowing how capable a private company is of safely venturing into space. Armstrong’s knowledge–the knowledge he’s using to bolster his credibility as someone whose testimony matters–is situated in the quite distant past, technologically speaking. These issues of credibility bring us to…

3. Authority–where a speaker or writer gets the authority to speak on a topic. I’d argue that Armstrong’s authority is firmly planted in his status as a hero, although he is ostensibly drawing upon his scientific knowledge and that is partially how he is presented at the hearing and probably understood by the audience. But the point is that he’s given the benefit of the doubt when it comes to his actual grasp of this technological knowledge because he’s a hero and has the public’s respect. The public sees him as an authority on all things space travel because he went into space and we have spent 50+ years celebrating him for this accomplishment. He’s the face of all the (old) technology he’s alluding to. Because of his hero-status, we–the public and Congress–overlook the fact that his understanding of today’s technology (and arguably economic markets, as that plays into this whole debate as well) is out-dated. His argument is based on credibility that isn’t there anymore and charismatic authority (hero-status).

It’s fairly dangerous when we allow our heroes to influence our thinking–and our national policies–without first thinking critically about what they know and if we should give them the authority to speak about it. Since rhetorical authority is granted by the listener/reader, one has to wonder if his testimony was taken seriously. If it was, then Congress is as blinded by our culture’s tendency to lift our heroes up to infallible heights. (Of course, Armstrong may actually know what he’s talking about, technologically speaking. Unfortunately for him, my analysis about the interconnectedness of rhetorical authority, hero status, and situated knowledge assumes that he is not because that’s what I felt like writing about.)

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Yes, I Went Out to Eat Tonight

Why is it one of the most predictable exchanges or conversations when dining in a restaurant goes something like this:

Diner 1: How’s your fish?

Diner 2: Not bad. A little dry.

Any food item and judgement thereof can be substituted, and the effect is the same: we ask about the quality of the food our companions are eating as if we’ve had anything to do with its preparation. As if we are somehow invested in how it has turned out, and our fellow diner’s relative enjoyment of it. (We might be monetarily, but the question of how the food is bespeaks a more producer-ist underlying concern on the part of the asker. And this is why such conversations struck me as odd.)

To contrast, rarely is such an honest review of a meal given in someone’s home, where the host or a family member has prepared it. It would be rude to say that your friend’s fish were dry. But somehow, in a restaurant, where presumably the cook cannot hear (although the wait staff certainly might) it is perfectly acceptable to be blunt. The spatial separation is key, here, in avoiding the rudeness label for such an exchange. That and the fact that the cook in a restaurant is a stranger with whom diners have no social relationship, while the cook in a home is.

Discussing food quality and the enjoyment of a meal with honesty is only acceptable in certain contexts. Contexts in which there is spatial and social separation between the cooker and the eater. So, basically, you can be honest about how well or little you like your food in the public sphere. In the private sphere, being honest (unless it’s positive honesty) is a faux pas; a snub at the edible gift.

It should be pointed about that dishonesty usually occurs in restaurants when the asker is the payer and the answerer is the receiver of the gift of the dinner. In this case, the asker of the “how’s your meal?” question is seen as having a vested interest in–and of having contributed to–the quality of the eater’s experience. To speak ill of the food that someone else has paid to put in your mouth would be to metonymically insult them via their gift. (But in most casual restaurant contexts, this does not apply. Diners feel free to speak ill of the food regardless of who’s fronting the money for it.)

All this is to say: how weird is it that we do not think about the feelings of the nameless cook in a restaurant as we bash their work and what they have made, but lie our asses off about the food a friend or relative or host has prepared? Upon deconstruction, it kind of makes sense, but it’s still odd. (And I really hope our waitress didn’t tell the cooks that I said their soup was salty and the cheese-bread smelled like chlorine.)

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Nostalgia as in-situ History Creation: A fragment

Occasionally a celebrity will die, or an old commercial tune will come on, or one person will mention a public figure also known to another person of the same generation. These types of scenarios often spark a collective nostalgia performance. And, if there is someone younger about who shows the least bit of curiosity (“who was that?“), or even if they show none, there will most likely be a history telling of this pop-culturally significant nostalgia. “Well, so-and-so was a well-known [insert occupation here] in the late 19[??]s who really [contribution to (pop) culture]…

Most often I experience this around my older relatives, removed by a generation, sometimes only by half a generation, if it’s a cousin who’s significantly older. This is different from sharing different subcultural knowledge. No, this has a historical element. This type of sharing and telling is bolstered by its nostalgia; by its being in the past and no longer being relevant (or present/visible) in the present cultural moment. This is about reliving the pop-culture the experiencer and teller has found important–and that past society has told them is important.

This is pop-culture canonization. Telling about those people and phenomena remembered as significant. Popular culture canonized in peoples’ memories and collected sharings of them as history. As truth about the past. This person I remember that you young’uns don’t was important, and let me tell you why.  (Because I can state some facts about themBecause the media told me they were important once. Because I remember seeing them on TV, hearing that jingle, reading about them in the paper, hearing my parents talk about them…)

What from the now will we each and together decide is worthy of canonization? Worthy of telling about in the future with that glazed-over look of privileged, historically-contingent knowledge. This happens, I suspect, both unconsciously and consciously with the help of media and cultural producers and talking with friends and contemporaries…alone together. When of course everything is mediated, if not in the massive sense of TV and internet, than through other means. But I want to find out: what will we make memorable? Make pop-history? What of the millions of details about popular culture in this very moment will we be able to recall for the younger generations to come?

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Filed under Contemporary, Historical, Media, Nostalgia