Category Archives: Contemporary

Pets as Conduits to Health?

As I made my way to one of my regular dog-walking clients yesterday, I caught a story on the radio about a new study out of the Rand Corporation. Contrary to what the authors call “a widely held belief that children’s general and psychological health benefits from owning and/or interacting with pets,” there was no statistically significant difference between the health of children who lived with pet animals and those who lived solely with other humans.

Let’s side-step an interrogation of the study’s assumption that children’s health is a major reason adults adopt cats and dogs. We all have assumptions about the motivations of other people in our culture. For example, my assumption has long been that some parents and guardians see pets as a way to teach their children responsibility, aside from perhaps enjoying the company of companion animals themselves or wishing to reproduce the conditions of their own childhoods for their offspring. I cannot access the full study to see whether the authors cite any sources that back up their particular assumption. A quick glance at the references section indicates both an explosion of scholarship on pet-human relationships and that the authors likely have research to back up the assumption stated above.

Back when I spent a lot of time researching U.S. pet-keeping practices, I don’t recall reading or asking my informants about the reasons they chose to bring pet animals into their homes. This not only seems like a significant oversight on my part, but an intriguing line of research to pursue in the future. At the very least, I’m considering subscribing to Anthrozoös.

Advertisements

3 Comments

Filed under Animals, Childhood, Contemporary

Poetic Interlude: Fractured Futures, née YWCA

Light aqua arch surrounding an inset wooden door of the same color

refracted reflections

bourgeois boutique

peeling possibilities

embattled emblem


Context:

May, 2017

April, 2017

August, 2016

June, 2013

Atlas Obscura

City of Pasadena, Planning & Community Development

Pasadena Heritage

 

Leave a comment

Filed under Art of all Kinds, Contemporary, Historical, Nostalgia, Power, Wordplay

On Culture and Power

This essay originally appeared in Why Can’t I Eat My Dog?, a monthly feature in my newsletter. It has been edited slightly for this format.

Like many of you, I’ve been preoccupied by the issue of power in the United States. I’ve been thinking about how cultural change and policy interact; how power is conferred and reinforced, and how exactly to understand where our national cultural is at this moment in time. The last preoccupation is likely impossible until historians get a crack at things a few decades from now. Things are moving so fast that it’s difficult for social scientists to get a true handle on what’s going on.

Knowing full well that distrust of institutions is partly what contributed to our present, incomprehensible reality, I find myself wary of those with institutional power who have failed, over and over, to push back against the unilateral directives coming from our Executive branch. Deep down, I had more faith in both parties, and perhaps especially in the party with which I most frequently disagree. Surely Republicans held the sanctity of our national narrative in higher regard than this. Surely they would be the ones to say, “Enough” and take action to protect, if not the people being harmed, then the Constitution. I didn’t realize how much I was counting on them until I found myself shocked, again and again, by their lack of action. Here I was, assuming they were the party who truly cared about America. And now I’m not sure they even have the power to do anything, much less the will.

Power is tricky. At once simple and complicated, it can be easy to locate but difficult to trace. The origins of power are distinct, yet related to, the execution of power. But where is power located?

  • In individuals whose actions have consequences for others. An individual’s authority is granted by the populace over whom they have power – either explicitly (via democratic elections) implicitly (via cultural tradition) or by violence (see “military might,” below). Leaders have a social contract with the public over which they have power – without the public’s support, an individual cannot impose their will without additional sources of power (see below). Authority is earned and can erode if the social contract between the public and the individual leader is broken.
  • In institutions that provide the scaffolding of civil society. A few days ago, I read in the LA Times that the Getty released a statement condemning the recent executive order that resulted in a travel ban. The fact that an arts institution wrote a statement commenting on a federal action, released it, and was taken seriously by a media organization speaks to the power that institutions have within our society. But institutions, like individuals, also owe their cultural cache to the unspoken acknowledgment of the public, who confer upon them the status of institution within the broader social landscape. Institutions are authorities when it comes to certain types of knowledge, leaders by virtue of their reputations as depositories of society’s “best.”
  • The media is a special type of institution that has enormous power of information and the dissemination of knowledge. They often steer the direction of public discourse by choosing how to represent reality, and as such act as intermediaries between the state and its citizens. But the media, too, is dependent upon the public for their authority. The power to produce information as knowledge is granted by the people who interact with this institution and its knowledge. Once people distrust a source of information, that source’s power is diminished.
  • In military might – physical power. This is related to the power of individuals and the state/institutions, in that most state power is underwritten by the possibility of military force. That is, the threat of violence. I don’t agree with everything in this sobering Politico article, but this line illustrates the primacy of violence to any system of power: “We must (re)accept the notion that hard power is the guarantor of any international system: security is a precondition for anything (everything) else.”
  • In capitalist societies, power also lies in money. This is why you are often addressed as a consumer, and called upon to exercise your power by buying or refusing to buy certain items produced by certain companies. This is why the Citizens United decision was so important. Why people are up in arms with billionaires gaining direct access to government through cabinet appointments. The power that accumulated capital has over our institutions cannot be overstated, and it’s the reason – and it pains me to say this – a corporate response to the federal government may be our best hope to stop the deterioration of our national institutions and social structure.
  • But there’s an important location I’ve failed to devote separate attention: the public. The public is a consistent source of power, as many of the entities where power is located draw their authority from the complicity of the people. So ultimately, power is located in society.
  • In culture. People who shape policy respond to public sentiment, to cultural shifts. To shift the execution and consequences of power, culture must shift. Understandings of what power is, who or what can wield it, and in what ways, can change and thus alter the social fabric.

Our social fabric is partially held together by the nation-state and the ideologies it reinforces. The nation and the state are distinct, yet interrelated, entities. The nation is a cultural entity – comprised of its citizens. The state is the institutionalization of that national culture, backed by military might. Our national culture has always dehumanized people arriving from different places. Our state has always afforded different strata rights and privileges to groups of people arbitrarily delineated and made distinct from the un-marked “white” category of person who is automatically afforded full rights and humanity. How do we change culture and enact policy that aligns with our values and serves everyone; treats everyone as fully human?

Our nation has always been broken. Our country exists because of colonialism: we are colonizers, reaping the benefits from land stolen from people white colonizers considered sub-human. Anthropology is itself a product of colonialism, and we have a moral responsibility to do no further harm with this form of knowledge production. That means listening to the people we aim to understand, ensuring they speak for themselves, bringing their truths to light. Deconstructing the many meanings of cultural practices.

We are constantly creating and reinforcing aspects of our society and culture as we go about the practice of living. This means we all have some power to shape reality, to effect change. I’ve been thinking about what I can do, besides calling my representatives, to help heal our nation. How cultural change can influence policy. It’s my duty to expend effort in service of the greater good, especially if my efforts can benefit those who have been repeatedly disadvantaged by our government, institutions, and other social systems.

After spending the past year half-heartedly trying to be a freelance writer, and falling back into grant writing and nonprofit communications, it’s clear that what I need to do is draw on my training in the social sciences and get to work. I’ll be looking for ways to contribute to organizations that are working for social justice, and that means acknowledging that while my experience of obtaining my MA was traumatic, it in no way negates the social science training that I have at my disposal. It’s my obligation, and my desire, to apply my training to the betterment of society.

2 Comments

Filed under Contemporary, Power, Why Can't I Eat My Dog?

Poetic Interlude: Shadow Brand

large rectangular shadow stretches into a road

Mercedes monolith
Rises from the dusty heap of civil society
Shrouds the cracked public sphere

1 Comment

Filed under Contemporary, Power, Wordplay

The International Appeal of a Hyper-Local Dance

A gentleman in his eighties hands off his walker, embracing his partner as they shuffle to a jaunty tune. Couples of all ages emanate from the inter-generational pair, filling the hall with waves of subtle movement. It’s 11:00 p.m., midway through the 6-piece band’s second set. At least five more hours of dancing await those with the stamina to carry on.

Men sport straw hats and knickerbockers while ladies with elaborate hairstyles keep rhythm in reproduction vintage shoes. Russian, French, and whiffs of hand sanitizer float by on an endorphin-powered breeze. A speakeasy appears in a waiting room and people snap bootlegger selfies before a mugshot backdrop. Parents take turns tending to children so each enjoys the dance floor. The drummer swigs from a green bottle as the MC introduces the next song. Hand-carved art deco borders frame the stage. Invocations of the storied past consist entirely of names: Duke Ellington, Count Basie, Django Reinhardt, Benny Goodman. Nostalgia has been reborn.

Welcome to California Balboa Classic.

Modern Revival

California Balboa Classic (Cal Bal), a weekend of workshops, social dances, and contests drawing dancers from around the world, puts the typical conference to shame. Because attendees must engage their bodies to absorb the knowledge presented, exhaustion is physically exhilarating rather than mentally draining. Not only does Cal Bal know how to keep their attendees awake, its instructors are in such high demand that there is often a waiting list to register.

Founded in 2013 by Laura Keat, Cal Bal took up the mantle laid down by Balboa Rendezvous, an event that for ten years gathered new generations of dancers “where it all began”–the Balboa Pavilion in Newport Beach. Though Cal Bal has moved the festivities inland, dancers continue to flock to Southern California in mid-January for the chance to be close to balboa’s historic roots.

How does a partner dance originating on Balboa Island in the 1920’s attract a modern international following that rivals that of the Rose Parade?

Balboa is a social dance that originated on the Balboa Peninsula in the 1920’s and 30’s as teenagers interpreted popular jazz and swing music in crowded dance halls. In its “pure” form, balboa can be danced to extremely fast music in as small a space as two people holding each other close can occupy.

Over the years, balboa evolved to incorporate more exuberant movements from various styles of swing dancing. Modern balboa dancers delight in combining vintage and innovative stylings. Jodi Daynard, a dancer visiting from Boston, said balboa appeals to her for many reasons, but that “the creativity is the part I kind of live for.”

Global Appeal

Now in its fifth year, Cal Bal has become the premier event among dancers who want to enhance their knowledge of this vintage social dance. Hosted at the Pasadena Masonic Temple and nearby hotels, the event attracts people from almost as many countries as the Rose Parade does just a few weeks before. “This is bal heaven!” declared one dancer from the Bay Area.

Our neighbors to the north aren’t the only ones who travel to the City of Roses specifically for Cal Bal. People from Seattle, Denver, New York, Honolulu–not to mention Australia, Korea, Japan, and Germany–all gather in Pasadena to share their affinity for the vintage Southern California pastime. For one couple from the Netherlands, Cal Bal served as the capstone of their week-long trip to Los Angeles, a tour that included The Huntington Library and The Getty Center. 

How did a partner dance originating on Balboa Island in the 1920’s attract such an international following? The key could be the authenticity that the locale provides.

Stephan Wuthe, a Berlin DJ and jazz historian, was attending Cal Bal for the second time. “It’s the real thing here,” he said. Most modern balboa dancers can trace their knowledge to Cal Bal instructor Sylvia Sykes, who learned from the original dancers in the 80’s and 90’s and introduced the dance worldwide. Stephan noted that European instructors teach similar material to that featured at Cal Bal, but it’s important for him to attend an event in “the area where the dance was created.”

Lifelong Learning, International Community

Cal Bal’s world-class instructors are also a major draw. For three days, attendees spend hours mastering new techniques. “You can’t fake bal,” said Cal Bal instructor Augie Freeman. “You have to have a base knowledge to dance with somebody.” Often, friends enroll in different workshop levels so they can share what they learn afterwards.

Instructors and participants alike are diligent students, constantly seeking ways to elevate their dancing. This commitment to excellence is rivaled only by a commitment to fun. By Sunday morning, class sizes are noticeably smaller; many people stay out dancing and socializing until 4:00 a.m.

One of the notable things about balboa’s modern resurgence is the cross-cultural community that has arisen around it. “You can dance with anybody,” said Stephan. “For those three minutes, we are a beautiful couple.”


2017 California Balboa Classic takes place January 6-8 in Pasadena, CA

2 Comments

Filed under Contemporary, Historical, Nostalgia