Ode to the Misplaced
Left askew, asunder
Aging allowed
unfettered
Laid bare to the elements
tame
Portal to the past
enduring
Ode to the Misplaced
Left askew, asunder
Aging allowed
unfettered
Laid bare to the elements
tame
Portal to the past
enduring
Filed under Wordplay
During the elementary school era of childhood in the United States, rhyming carries with it a certain authority. It gives the meaning behind words a type of magical credibility. Speaking in rhymed verse becomes a stand-in for truth-telling, lending the verse the authority it needs to go unchallenged. It can be used as a retort, an argument in and of itself. Rhyming verses are the aphorisms of childhood.
I’m still working through the mechanics of this phenomenon, but I’d be willing to posit that rhyming, and rhyming verses especially, occupy a privileged position in children’s language. Rhyming is a type of authoritative discourse. Consider a few examples:
Each of these sayings are tossed about the playground like so many punch-balls, and even find their ways into the classroom and the mouths of adults who wish to speak on the child’s “level.” To reach them with an authority they will understand, master, and even be able to take ownership of. The easy-peasiness of it, if you will, provides children with a short-hand for the final word on a subject. A commonly held belief among their peers that cannot be challenged.
The rhyming appeals to the authority of truth, because the rhymes have been repeated, are ingrained into the consciousness of the average American school child. They hear these often from one another and the adults on positions of authority within knowledge production and dissemination. Even upon hearing a rhymed phrase for the first time, the fact that the phrase rhymes lends it an aura of believability.
Children repeat these things to one another ad nauseam. The phrases, by virtue of their rhyming qualities, are easier to remember, and thus more likely to be repeated. The repetition itself lends an element of truth–would these phrases be repeated so often if they weren’t true?
And so this becomes, if I remember correctly, an instance of second-order indexicality. The type of speech (rhyming verse) becomes a marker of the very quality from which it derives its power (truth). Or maybe I’ve been away from the text books too long and can’t remember how to use “second-order indexicality” correctly. Perhaps I’ve argued myself into a merry-go-round death-trap.
In any case, something is going on below the surface of these agonizingly trite childhood chants.
Last night I missed an opportunity to photograph a bike light, blinking red in the middle of the dark street. It was the same type of safety device Flaming Bike had attached to the seat of my pants before literally carting me off on a grand tour of Lake Merritt that quiet night in Oakland. After our apple pie supper, chased with an apple galette dessert. I was thrilled to be her cargo that night. Grateful for the beacon attached to my rear that signaled our safe passage.
The lonely beacon wasn’t the first lost object I had come across that day. Hours before, a discarded draft of a thank you note had been in my walking path. It’s simplicity was touching. I hope the author remembered their words; wrote & sent it for real.
Not many steps later, a cyclist in serious spandex cased the gutter, riding slowly up and down the half-block, looking left and right, against traffic, clearly missing something. He stopped astride his mount, bent to retrieve a glove, shoved it down his shirt for safekeeping. Then carried on.
The day before, on a walk to the food Co-op, I passed a seemingly abandoned lot, gated and threatening electrocution for the unidentified, absent owner’s safekeeping. Upon closer inspection, I saw defiant plantings of vibrant succulents strewn about. The land had been reclaimed, I imagined, by its neighbors. Given life, if temporarily.
Documenting lost objects is not a new idea, but it intrigues me still. I look forward to sharing future findings as part of a series, “Lost is Found.”
Filed under Art of all Kinds, Contemporary, Lost is Found